Murder on a Yellow Brick Road tp-2 Read online

  When the Wicked Witch said, “Just try to stay out of my way,” the blond kid with the nose let out a scream of terror. His mother told him to shut up.

  In a few minutes, Dorothy observed that, “People come and go so quickly here.” It was the problem I was facing.

  The blond kid got uncomfortable again when the trees talked, and I got uncomfortable when the Scarecrow observed that, “Some people without brains do an awful lot of talking.”

  I got sleepy when the group hit the poppy field and felt like going home when the movie ended with Dorothy saying, “There’s no place like home.” Then the lights went on and I remembered where I lived.

  I dodged past old people and women with kids and nodded to Reverend Yoder as I pushed open the front door and went out onto Van Nuys.

  When I reached home thirty minutes later, I locked my door, pulled down the shades, propped a chair under the doorknob, and put my. 38 under the pillow. It wasn’t likely that a reasonable killer would break in here and take a few shots at me, but it was possible that a murderous midget who knew my address might just be wild enough to try it. For some reason, the prospect of being shot by a midget scared me more than the idea of the same thing being done by a normal-size man. What if the little killer crept in through a crack under the door and plunked a knife into my chest? I could see the dead soldier Munchkin and me lying side by side on the yellow brick road.

  I had a hard time getting to sleep, so I left the light on in the bathroom. It had worked when I was a kid, and it helped now. No one would ever know. The radio was glowing next to me and singing softly. My hand felt the comforting steel of the. 38 under my pillow, and I fell asleep expecting nightmares.

  There were no nightmares. I dreamed I was sleeping peacefully in a field of poppies, and snow was falling coldly and gently on my face.

  4

  The radio was purring music softly in my ear, and a band of light was dancing across my face from a slit in the shade of the single window in my living room/bedroom. I felt like turning over for a few more hours, but I had a busy day planned and fifty bucks to earn, probably the hard way.

  I turned off the radio and padded my way to the bathroom carrying my. 38. I kept the gun on the toilet seat while I brushed my teeth and shaved with a Gilette Blue Blade, the sharpest edge ever honed. I cut myself twice. After coffee and a mixed bowl of puffed rice and shredded wheat, I looked up an address in the phone book, got dressed, plunked my. 38 in the holster inside my jacket, pushed my hat back at what I considered a rakish angle, and went out into the sun.

  My hillbilly neighbors had stopped feuding, and the day was clear. There wasn’t enough time to get my windows fixed, so I left them rolled down and headed for the office of Barney Grundy, the photographer who had witnessed the fight between the two midgets at Metro the morning before. I got to the corner of Melrose and Highland without anyone trying to kill me and found a parking spot a block from where I was going.

  Grundy’s address was on a doorway between an auto parts store and a travel bureau. His place was up the stairs behind a door markedB. NIMBLE GRUNDY, PICTURES STILL AND MOVING. The lettering was in pink against a yellow square. I knocked, prepared for almost anything, but I wasn’t prepared for what opened the door. He was about six-foot-three, with bleached, yellow hair that would have been called white on an older man. He wore a blue tee shirt and black slacks, and was drying his hands with a small towel. He was deeply tanned and remarkable. He looked like a caricature of Tarzan. His muscles were enormous and bulging with veins. His tee shirt could hardly contain him, which was probably why he wore it. I thought of asking if there was a man inside the mannikin before me, but I wasn’t sure if he would take it as a joke, and I didn’t want to get started on the wrong foot.

  “Barney Grundy?” I asked.

  He put out his hand and grinned. It was an infectious boyish grin, and his grasp was firm but not bone-breaking. I had a feeling that he was holding back out of politeness. A second look told me he wasn’t as young as he first appeared. I would have taken him for mid-twenties with a first look. I added ten years to the estimate on second look.

  “You must be Peters,” he said, standing back to let me in. “Mr. Hoff told me you might want to talk. Come on in.”

  I came on in. There were photographs on the wall in the wide room. The wall was filled with them. Most of them were women, big prints, framed and mounted. I recognized a few of the women as movie stars and almost stars. There was no carpet on the finely polished wooden floor, and the furniture was minimal. The room was clean and bright. Three stairs led up to another level that looked like a combination living room/bedroom, and kitchen. There were a couple of doors beyond it where I guessed he did his work.

  “Hey, listen,” Grundy said in a soft tenor. “I was on the way out to get some breakfast. You want to come with me?”

  I said yes, and he put his towel carefully over a chair and led the way out.

  “You’re in good shape,” I said as we went down the stairs.

  “I work out every day for an hour or two with weights in a place down in Santa Monica,” he explained, leading the way out. “There are about a dozen of us. It’s a kind of competition to see who can develop the best muscle tone.”

  We walked down Melrose to LaBrea and I asked, “Don’t you get musclebound?”

  “No,” he grinned. “That’s something made up by people who don’t know what they’re talking about. I can run a six minute mile, touch my nose with my big toe, and please ladies. You look like you’re in fair shape yourself.”

  “Y.M.C.A.,” I said. “I run a little and play handball.”

  I didn’t add that my total miles per week had dropped to five and my handball partner was a sixty-year-old doctor who was well ahead of me in games, but a damn good player.

  Grundy led me into a coffee shop on La Brea, and we sat in a booth. The waitress recognized him, and he flashed her a smile. She was an overworked, washedout creature with frizzy hair. The smile from Grundy made her day.

  We ordered, and I asked, “Why do you do it?”

  “Body build?” he said, “Compensation in a way, Mr. Peters. It started when I realized that I wasn’t going to make it as a camera operator or cinematographer with a studio. That was what I wanted. I was born a few miles from here. I’ve passed those studios all my life. I wanted to be behind a camera, even prepared by becoming a still photographer, taking movie courses. But it never happened. I never got the break. I guess I started the weights when I knew it wasn’t going to happen. No one has said I’m not good enough. Maybe I’m just the right guy in the wrong place.”

  “So,” I continued, “you make up for it by doing stills for studios when you can get the work and building your body.”

  “That’s about it,” he agreed, welcoming his plate of four fried eggs and half pound of bacon from the waitress who smiled at him while she served. She had forgotten my coffee, but went back for it quickly.

  “Most of my work is baby pictures and some industrial stuff,” he explained between bites. “Once in a while I get to do spillover work for a studio or a small industrial movie, nothing much; but I live cheap and do all right.”

  He was telling me more about himself than I needed to know, but I’ve run into a lot of people like that. They’ll give you their life stories and a cup of Hill’s Brothers if you’ll just sit and listen. I’m a good listener. It may be the thing I’m best at.

  “About yesterday, the morning?” I asked.

  “Right,” he said, finishing a glass of milk in a long gulp. “I was in the studio to deliver some pictures I’d taken and walked past these two midgets arguing.”

  “How close were you?” I asked. The coffee was bitter, but I kept drinking.

  “About ten feet,” he said. “Walked right past them. I told the cops. I heard them arguing, and one of them had an accent, a German accent. The other one, the one in the soldier suit, called him ‘Gunther.’ That’s all I heard.”

  “Co
uld you identify either of the midgets again?” I tried.

  “No,” he said, finishing his toast and looking around for something else to eat. I thought he’d give the plate a try, but instead he motioned to the waitress who knew what he wanted and brought more milk, toast and jam. “Both the little guys were wearing makeup and costumes, and I didn’t really look at them. I was tempted to break them up, but they weren’t actually fighting and it was none of my business.”

  “Weren’t you surprised to see them in Oz costumes?”

  “No,” he said with a shake of his head. “I know they still do occasional publicity shots with the midgets. I’ve even taken a few myself for Mr. Hoff. The midgets get a day’s fee for posing and so do I for a few quick prints.”

  “Did you see anyone else when you passed the arguing midgets?” I’d finished my coffee and had a refill before I could stop the waitress, who was happy for any excuse to come back to our booth and gawk at Grundy.

  “No, no one else was in sight,” he said. His fresh order of toast was gone and he wiped his mouth with a napkin.

  “Last question,” I said reaching in my pocket for money. “What time did this happen?”

  “A little after eight, maybe a quarter after at the latest. Hey, I’ll take the check.”

  He reached for the check but I pulled it out of his reach. He had reached fast. He may have had muscles like blocks of wood, but they didn’t slow him down.

  ‘I’m on an expense account,” I explained. “Breakfast is on Louis B. Mayer.”

  He knew how to accept a free breakfast graciously. I paid the moonstruck waitress and walked back down Melrose with Grundy.

  “My car’s down here,” I said. We shook hands. “If there’s anything else I can do, let me know,” he said. “And if you ever need any photo work in your business, here’s my card. I’ll work cheap.”

  The card read exactly like his door: B. NIMBLEGRUNDY, PICTURES STILL AND MOVING. It also had his address. I thanked him and watched him jog toward his office-home.

  It was Saturday and Grundy looked like a man who owned Saturdays. The day wasn’t quite mine, though. Either Grundy was lying, which wasn’t likely, or the midget who killed Cash had faked a German accent. In which case, why had Cash called him “Gunter”? The other possibility was that Gunther was guilty. Or maybe Gunther had fought with Cash but not killed him. In which case he had simply lied to me, for which I couldn’t much blame him.

  My leads had almost run out. All I had left was Gable and the hope that Wherthman would remember the name of the other midget who had worked and fought with Cash. Both were slim. Something had to make sense, and I was heading in the right direction or there wouldn’t be two bullet holes in my Buick.

  Judy Garland had told me production was starting on Ziegfield Girl today so I headed for the studio. It wasn’t far from Grundy’s place. I took another look at his card and put it away, reminding myself to ask if Nimble was his real middle name if I should ever see him again.

  It was a little after ten when I arrived at the studio. Buck McCarthy was on the gate and he sauntered over to me, chewing a wad of gum and pretending it was a plug. He leaned into the window.

  “Miss Garland said to hurry you in if you showed up,” he said. “You know the way?”

  “Yep, you want to drive?”

  He declined this time, and I drove slowly to her dressing room. I didn’t see any stars, but a group of carpenters working on the fake front of what looked like the Taj Mahal. The fake front was leaning against a real building.

  Judy Garland wasn’t in her dressing room, but Cassie James was, which suited me fine. Today she was dressed entirely in pink with a red patent leather belt. She smelled like July in the mountains. When I knocked and came in she was pouring herself a cup of coffee from the pot brewing in the corner.

  She gave me a small smile and handed me the cup. Something was wrong. She sat in a straightbacked chair and crossed her legs.

  “Someone tried to kill Judy,” she said.

  For a second or two I didn’t absorb the words. Maybe I even thought I imagined them, but I hadn’t.

  “Tried to poison her,” Cassie continued.

  “How? When?” I sat with my coffee on a chair a few feet from Cassie.

  “When we came in the morning, there was a pitcher of ice water on the table. Judy was a little nervous about starting the picture today and her throat was dry. I poured her a drink and started to hand it to her, but it looked a little discolored. I smelled it, and it smelled strange. So she didn’t drink it.”

  “Then how do you know it was poisoned?” I asked.

  “We called the doctor. There’s one on hand whenever shooting is going on. He said it was filled with arsenic. A mouthful would very likely have killed Judy.”

  Cassie was certainly nervous, but not in panic.

  “It’s lucky you noticed,” I said reassuringly. “Where’s Judy now?”

  “She’s shooting. I told her to take the day off and wait till we talked to you, but she wouldn’t do it. She got sick once during the shooting of Oz and held up shooting for a while. She doesn’t want to do it again.”

  Cassie gave me more information. The dressing room door hadn’t been locked so anyone on the lot could have come in with the water. The poison water had been dumped out after the doctor confirmed the presence of poison. It wasn’t clear whose idea the dumping was, but no one had questioned it. The pitcher was glass, but with everyone handling it there probably wouldn’t have been worthwhile prints anyway.

  “O.K.,” I said, standing up and putting down the cup. “I think we should call the police. Someone tried to kill me yesterday, too.”

  She got up suddenly and looked shocked. I was touched.

  “What happened?” she asked, stepping toward me.

  “Someone took a couple of shots at me and obviously missed.” She took my hand. It was time to work up more sympathy.

  “They may try again,” I said.

  “Did you see who did it?” She was looking into my eyes, clearly concerned and interested.

  “No, but I’d like it to stop. So I’m going to try to get some police protection for Judy and do my damndest to find out who killed Cash and is trying to make Judy and me a duo of death.”

  I’d heard that “duo of death” phrase in a Captain Midnight show and always wanted to work it into a conversation. This was the first chance I had. I pushed my hat back further on my head and took Cassie’s hand in mind. I was glad she wasn’t wearing her tape measure.

  “I’ll call the police and tell them what’s happened. It might give them second thoughts about Wherthman being the killer. Then I’d better track down Clark Gable and check his version of what happened her yesterday morning.”

  “Is there anything I can do?” she asked. We were close enough together to exchange comments on our mouthwash, except I didn’t use any. I hoped my dental sample smile lingered till noon. Hers did.

  “Yes, there is,” I said softly. “Find Hoff. Tell him that Cash was chummy with another midget, maybe even went into business with him. See if he can find out who it is. Wherthman is filling his time trying to come up with the name too. It may not be a lead, but it’s worth a try.”

  She agreed and volunteered to do some checking on her own. She had worked on Oz for a short time and knew the names of a few of the midgets. I said thanks and lingered. She kissed me. It was a little more than motherly, but not enough to make anything out of.

  “Be careful,” she said, and I promised I would be.

  She went off to look for Hoff and I picked up the phone. I didn’t need to talk to Hoff right now, but I needed information and action. I called Andy Markopulis, the guy I knew who worked for M.G.M. security. He was at home building a patio with his kids. It was so wholesome I couldn’t even make a joke about it. I explained the whole set-up to him and asked him to assign a couple of people to take off their uniforms and keep an eye on Judy Garland for a while. He said he’d assign two good men na
med Woodman and Fearaven. I didn’t know them, but Andy knew his business.

  Then I called my brother.

  “Well?” he asked. “And if you ask me how Ruth and the kids are, I’ll find you and punch your heart out.”

  “Someone tried to kill me and Judy Garland,” I said.

  “Bullshit.”

  “It’s not bullshit,” I said. “I’ve got bullet holes in my car windows.”

  “Bullshit,” he repeated.

  “For Chrissake, Phil, why would I lie?”

  “It’s an asshole stunt to get that little Nazi turd you’re working for off the hook. Someone’s trying to kill you and Garland. Wherthman’s in the can, so it can’t be him. That’s the picture.”

  “So I shot bullet holes in my car windows?”

  “Why not? That hunk of junk isn’t worth ten dollars. It’s about time you shot it and put it out of its misery. It reminds me of…”

  “One of dad’s old heaps,” I finished. “Maybe that’s why I like it.”

  He was quiet for a few seconds.

  “How did they try to kill Garland?” he asked, but his voice showed he was humoring me.

  “Poison,” I said. “Someone left a water pitcher full of poison in her dressing room at the studio this morning. Someone noticed that it smelled funny.”

  “Where’s the poison now?” he asked.

  “They poured it out.”

  “That’s a hell of a story, Tobias. Even if there was a pitcher of poison, which I doubt, you could have put it there, made sure she didn’t drink it and then arranged for it to be conveniently dumped out before the police arrived. You’ve done worse.”

  He was right. I had done worse and was kind of proud of it, but this wasn’t one of the times. I decided not to tell him about the phone calls to Garland and me from the unaccented man with the high voice. He wouldn’t believe me.

  “You’re wrong, Phil.”

  “I’ve got a wave of ax murders waiting and no time for you. Now hang up and get a job as a night watchman.”